Where do you live and why do you choose to live there?
I live in Prince Edward County, Ontario. I moved here four years ago because I wanted to get out of the busy and crowded Greater Toronto Area and have a place in the country.
Was there a moment that changed everything when you knew you were a writer?
Nope. More a gradual thing, I’d say.
What is your most memorable experience in a library or bookstore?
My very first book signing was at a store in London alongside my good friend the writer and musician Rick Blechta. Scare the Light Away is a standalone suspense novel in which a woman reads her mother’s lost diary of being a war bride, and thus uncovers the secret of her past. An elderly lady came up to our table and I began my sales pitch. Her face began to crumble. Tears began to flow. “I don’t… think I’d… care for that,” she sobbed. “My husband died a year ago. I’m reading his journals. I thought I knew him…. But I didn’t.” Whereupon she burst into tears and fled.
Not funny at the time, I can tell you. It’s a wonder I ever did another book signing.
About your writing life
Describe a typical day in your life when you are working on a book, that is writing, re-writing, editing, proofing.
If I’m home, I’m working on a book. Every day.
An average day for me is pretty easy to describe. I write every morning for three to four hours, seven days a week, that includes anything related to producing a book such as editing or proofing. In the afternoon, I do whatever non-book writing is required, such as this interview. I’m lucky enough to have been able to take early retirement from my job as a systems analyst in a major bank and now writing is my full-time job. But it wasn’t always like this. My first book took over four years to write on Sunday afternoons between the job and three children.
I write in several very different styles and I find that I have to stick strictly to whatever style of book I’m doing until it’s finished. No jumping between books or I’d get confused if it’s supposed to be funny or heart-breaking!
I’ll also mention that I read. A lot. I don’t have a TV and I rarely go to movies.
Describe your writing process. How do you get from concept to finished manuscript?
I pretty much write from page one to page XX, and then go back and fill in anything that’s missing or needs clarification, tidy up the dialogue add more description or emotion, then another pass to make sure it all ties together and the writing is crisp. After that I’ll put it in a drawer for four to six weeks, and work on it again. I find that the break allows me to approach it with a fresh eye.
In most cases I have a rough outline, some idea of what I want to say, what I want to happen in the characters’ lives or what the crime is about. I wrote Winter of Secrets by having a scene for chapter one in mind and just starting. I figured out what was going on only as I wrote it. But I do find it much easier to have some direction.
Do you listen to music while you work? If so, what type/artist/songs?
No music. No radio. Otherwise I couldn’t concentrate.
Share a memorable experience you had with a reader.
I was in Hawaii, at a resort, walking by the pool and there was a woman stretched out on a lounge chair reading In the Shadow of the Glacier. That felt pretty special.
What’s the nicest thing a critic or reader has said about your work?
Publisher’s Weekly gave Winter of Secrets a starred review saying it was “artistry as sturdy and restrained as a Shaker chair.” I loved the idea that what I do, what we do, is art.
Which mystery author, living or dead, has influenced your writing the most?
A difficult question to answer in that there are so many. I read a lot; I’m from a reading family. Over the years I’ve read countless authors, and I’m sure all of them have had some impact on me. However, if I was to pick someone, I’d say that I love the traditional British police procedurals the most. Susan Hill, Deborah Crombie, Peter Robinson are powerful influences on my writing today. I read mysteries (or crime novels as I prefer to say) most of all. The variety is so great, that’s one of the best things about crime writing.
It was probably Sara Paretsky when she began the V.I. Warshaski series, who introduced me to reading mystery novels. Until then I thought crime writing was about a bunch of tough, misogynist guys and it had no appeal to me. I’ve never been one for the classics of crime. People are always talking about Agatha Christie or Rex Stout or John D. MacDonald, I can’t say those people influenced me at all.
Do you think writers are born or made?
Writers are born; authors are made. You have to have some degree of talent to be able to write a good story and do it well. I am totally tone deaf; I’m well aware that I have no musical talent whatsoever, which is probably why I’ve never tried to be a singer. Having said that, to write a book and then have it published, with all the work and rework and rejection and dedication that involves, you have to be pretty determined to do it.
What is the most rewarding part of being an author?
The best part of being a mystery author in Canada is the people I’ve met and the friends I’ve made. I never started out thinking I wanted to be a writer so I could make new friends, but that turned out to be the best part of all. The Canadian mystery community is by and large very close and very supportive. It’s just great.
What advice would you give to aspiring authors?
In all of your life you will have ONE first book. Make it count.
About your new book
Gold Mountain is the third in the Klondike Gold Rush series from Dundurn (following Gold Digger and Gold Fever). The books are set in Dawson City in 1898 at the height of the Klondike Gold Rush. They’re intended to be on the lighter side, a bit of a mad cap romp through the muddy streets of Dawson.
This book goes back to the summer of 1897 when Fiona MacGillivray fled Toronto with only a valise full of stolen jewellery and her 11 year old son, Angus. They arrived in Vancouver in time to hear the news – Gold Discovered in the Klondike! Fiona immediately set off for Skagway, Alaska, intending to open a theatre. After one encounter with the infamous gangster Soapy Smith and his henchman Paul Sheridan, Fiona wisely decides to pursue her ambitions on the other side of the border, and she and Angus climb the Chilkoot trail for Dawson City, Yukon.
A year later Sheridan arrives in Dawson with a map showing the way to Gold Mountain, a valley as warm as California. Sheridan wants Fiona come with him. Fiona wants no part of his mad plans. But she may not have a choice.
Make your pitch! Describe what happens in your latest book in two sentences.
Gold Mountain, where the hills of solid gold keep the Yukon valley as warm as California. Fiona MacGillivray has no interest in Paul Sheridan’s mad scheme to find the valley, but when the one-time henchman of Soapy Smith and her erstwhile suitor arrives in Dawson, she might not have a choice.
What challenges did you face writing this book?
I almost gave this book up not long after beginning it. In Gold Mountain, Fiona et al head off into the wilderness north of Dawson City. I’ve been to Dawson, but not north of there and certainly not on foot. I was struggling with trying to write a book set in a place I’d never been, particularly as the wilderness is a very specific setting and really can’t be captured by generic descriptions of trees etc.
Then it occurred to me – they’re after a valley as warm as California. How realistic does it have to be? From then on, I was okay.
What sets this book apart from your previous work?
Regarding the Klondike books, this book fits the tone and the style, but it is not a mystery and there is no murder. It’s a crime novel, not a ‘murder mystery’. It’s more of an adventure caper.
I also write the Constable Molly Smith series, small town police procedurals that are contemporary and deal with serious issues, and novels of standalone suspense that are sort of modern gothic. The Klondike books are much, much lighter.
The or questions
Cup of coffee or glass of wine? Wine
Twitter or Facebook? Facebook
Library or bookstore? Bookstore
Print or ebook? E-book
Setting or character? Setting
Book or movie? Book
My next book will be out in September from Poisoned Pen Press. It’s a modern Gothic set in Prince Edward County where I live titled More than Sorrow. I’m writing the sixth Smith and Winters book right now, tentatively called Tracks in the Snow. The fourth Gold Rush book, called Gold Web, is finished and will be out in 2013.
If you could choose anywhere in the world to write your next book, where would it be and why?
I’m pretty lucky in that I think I’ll chose right here. Where I am. I spent three weeks in Juba, South Sudan in November and got lots of writing done – there was nothing else to do. In January I was in Turks and Caicos where I did no writing although I intended to. Something about sitting in the room vs. being at the beach.
What can you tell us about your next book?
More than Sorrow will be out in September from Poisoned Pen Press. It’s a standalone suspense novel, a modern Gothic. It’s set in Prince Edward County, Ontario and has a backstory of the Loyalist settlers. Here’s the blurb:
A Loyalist refugee, a disfigured Afghan woman. They lived two hundred years apart, but they have one thing in common: Hannah Manning, once an internationally-renowned journalist and war correspondent, victim of an IED explosion. In this modern Gothic novel of heart-wrenching suspense, past and present merge into a terrifying threat to the only thing Hannah still holds dear – her ten-year-old niece, Lily.
About Vicki Delany
Her popular Constable Molly Smith series (including In the Shadow of the Glacier and Among the Departed) from Poisoned Pen Press have been optioned for TV by Brightlight Pictures. She writes standalone novels of modern gothic suspense such as Burden of Memory and More than Sorrow (September 2012), as well as a light-hearted historical series, (Gold Digger, Gold Mountain), set in the raucous heyday of the Klondike Gold Rush, published by Dundurn.
She is also the author of a novel for reluctant readers, A Winter Kill, part of the Rapid Reads series.
Having taken early retirement from her job as a systems analyst in the high-pressure financial world, Vicki is settling down to the rural life in bucolic, Prince Edward County, Ontario where she rarely wears a watch.